Thursday, September 27, 2007

Straight line or curved?

I had quite an awakening recently. And I can't say that too often. A week and a half ago, I was in DC. For days I had been playing with a train set in the sun room of my parents' house, building perfectly oval tracks for Silas (and rebuilding them after he carried off pieces) and even ones that included the tunnel, crossing gate AND bridge (very advanced). Then Zeke came over. Zeke just turned 3 and was very intent on playing with the trains. After he'd been playing for a bit, I looked over saw that he had built a track whose sides wound like a river rather than lay straight like the sides of my firm oval tracks. I was floored. It had never OCCURRED to me that I could make a wavy track. I was shocked --not so much by the now-obvious shape that lay on the floor, but by my own straight-line thinking. How did that happen? Amazing.

So, I've been trying to watch myself since then. I'm certainly a creature of habit and I love that in lots of ways -- rituals ground me and give me things to look forward to like champagne thursdays, the petting zoo in the afternoons, walks to our park -- but what am I missing because of my routines? Ben is out of town this week and I am trying to catch myself off-guard (well, I don't think that's really possible) but at least to challenge my impulses, to take a curvy-tracked route, to slip a bit.

[Thanks Zeke]

post-dentist

I feel like I've been chewing a mouthful of staples, but no, I've just been to the dentist where the hygienist Debbie jabbed at my gums for an hour. The practice is convinced that everyone is on their way to periodontitis -- and maybe we are, though it's strange to think that God gave us teeth that involve a masked person squirting microbe anti-bacterial stuff through a syringe into their roots to maintain...

It turns out I really do suffer from sitcom-scenario dental anxiety. When I walk into the office, I feel the same tense defensiveness that I feel when I take my car in -- that helpless this-guy-is-trying-to-work-one-over-and-make-an-extra-buck feeling. Today I even argued with the woman at the desk and threatened to walk out after only hearing what the "cleaning" involved. (poor woman -- sorry). And to top it off, there is the reality that 9 out of 10 visits end with the words, "so you'll have to come back in to get that worked on" backed by the sound of drills spinning in every other exam room. Ugh.

The good news is that today, my mouth was sparklingly cavity-free! And to top it off, the dentist said, "keep doing whatever you're doing -- it's working!" What that really means, though, is flossing once a month and canceling dentist appointments out of apprehension for a year. Perfect!

Tuesday, September 25, 2007

a 3 foot tall teacher

The past few days have been quiet ones. Yesterday, Silas and I went to the pediatrician in the morning and that was it. Around noon, I lay on the couch next to him while he drank his milk. He was sluggish and crabby from shots in both arms and legs, and as I lay there beside him, I had a brief certainty that I didn't need to be doing anything else at that moment. Though there were errands waiting in the car, a computer humming with power on the counter, books stacked by my bed to be read, students in need of tutoring, all I needed to be was on the couch next to Silas catching his feet when he raised them in the air and keeping him company while he drank.

He has grown from baby-to-care-for into companion. Lately, he'll plop down somewhere, usually on his dragon chair or this morning on a hill of sand at the beach, and then say "Mama" and tap the sand next to him. He'll answer questions, "would you like to go home now?" with a pause and a thoughtful "...noh."

He also, once again, tends to be a pretty good teacher. When we were in DC last, Ben, much of his family, and I went to see a grief counselor. Among other things, she talked about being present, giving our full attention to the person we are with. Silas does this naturally, and I guess we all must have at some point. He cannot stay on task for longer than a 15 second span -- when I tell him to get his shoe by the door, I have to remind him over and over of his task as he swerves off to pick up a car, to climb stairs, to find a raisin under the table, to put on my shoe -- but each thing he does, on task or off, he engages in completely. So I am trying this too, to look into people's eyes, to keep my phone on silent when I'm with a friend, to hear people the first time, to mute my cluttered mind.

Monday, August 20, 2007

A few things I've liked lately

1. "Stardust" -- go see it -- it's a fun fairytale to spend some time in.

2. the sea breeze that has just started breathing again into the heat

3. being among C.S. Lewis's thoughts as he wrestled with losing his wife in A Grief Observed.
A few striking moments:

"One never meets just Cancer, or War, or Unhappiness (or Happiness). One only meets each hour or moment that comes. .. Many bad spots in our best times, many good ones in our worst. One never gets the total impact of what we call 'the thing itself.'...The thing itself is simply all these ups and downs: the rest is a name or an idea."

"Is it rational to believe in a bad God? ... The Cosmic Sadist, the spiteful imbecile?
I think it is, if nothing else, too anthropomorphic. When you come to think of it, it is far more anthropomorphic than picturing Him as a grave old king with a long beard. That image is a Jungian archetype. It links God with all the wise old kings in the fairy-tales, with prophets, sages, magicians. though it is (formally) the picture of a man, it suggests something more than humanity. At the very least it gets in the idea of something older than yourself, something that knows more, something you can't fathom. It preserves mystery. Therefore room for hope."

"Images of the Holy easily become holy images -- sacrosanct. My idea of God is not a divine idea. It has to be shattered time after time. He shatters it Himself. He is the great iconoclast. .. The Incarnation is the supreme example; it leaves all previous ideas of the Messiah in ruins... All reality is iconoclastic. The early beloved, even in this life, incessantly triumphs over your mere idea of her..."

"Can a mortal ask questions which God finds unanswerable? Quite easily, I should think. All nonsense questions are unanswerable. How many hours are there in a mile? Is yellow square or round? Probably half the questions we ask -- half our great tehological and metaphysical problems -- are like that."


4. Watching Silas learn to anticipate -- playing with the train at the bookstore, running out of edamame while he is still eating them, getting to the park.

Thursday, August 16, 2007

Mr. Roger's Neighborhood

I am sitting on the living room floor drinking mint tea. Ben and my mom are sitting on the couch. We have been talking about death, about roles and loss, and so many things we know nearly nothing about.

Somehow during our conversation, after talking about C.S. Lewis, we started talking about the name of the cat who wore little dresses and bonnets and lived in a tree on Mr. Roger's Land of Make Believe -- almost immediately the name Henrietta rolled off my tongue. It's funny how the characters from childhood stay nestled somewhere in our minds for the rest of our lives.

If you feel nostalgic for King Friday, Queen Sara Saturday, Prince Tuesday who goes to school Some Place Else and Henrietta Pussycat: http://pbskids.org/rogers/make_believe/

I love childhood.

Tuesday, August 14, 2007

I didn't used to understand this poem

by Elizabeth Bishop:


One Art

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.

--Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.

Monday, August 06, 2007

Hope

Ben, Silas and I just flew back home from a weekend in DC. We went for Steve's wedding and to spend a little time with his mom. At the wedding we talked for a while with our friend Sherry, a strong, spunky woman who is battling cancer, herself. She was full of wisdom and bold enough to ask us hard questions -- about funeral arrangements and wills, about Welcome Home parties and grief. She said that she does not want her doctors to give her any kind of time frame for her life, that she won't let them. What good does it do, she asked, to be told that there is no hope; hope is all that we have.

The more I've thought about her words, the more I agree. I cannot imagine the kind of pressure that rests on every single hour Cindy's had since a doctor told her she had 8 healthy weeks of life left. And when there's that much pressure on small moments and big ones, how much risk there is for disappointment... How deep will she have to dig for hope?

Sherry and I talked about what a solitary road cancer is, that even when she is surrounded by people who love her, she still has cancer alone, still falls asleep in her own thoughts at night, still feels the pain by herself and alone is facing death. I think for most of life we can trick ourselves into believing that we don't, actually, have to go it alone, and in many ways that is true; we so rarely have to be stripped down to our cores and forced to stand outside. But cancer does that to people, and so does great loss.

Christina and Drake are standing outside holding sharp silver hope. I hope when Cindy reaches in her pocket, she finds shards too, glimmering, polished, warm to the touch.